What, you were expecting more of a sensational lead in? Fine.
Under the Radar and Under the Gun! We caught up to Brooklyn’s DIY folk-pop bad boy at his computer to ask the tough questions and get the steamy details about his solo project Flight Feathers! Stay tuned to hear what scruffy mellow jamster Babi Pal has to say about the hottest fashions, the latest tech trends and all the juicy Hollywood gossip, right here, on BOLLOCKS! (play catchy intro theme cut with clips of celebrities on red carpets).
Right, well here’s the interview.
I’m 34, married and have a 15 month old daughter, a mortgage and car payments. If that doesn’t make one old, I don’t know what does. I grew up in New Jersey, went to college in NYC and moved to Brooklyn right after. If I remember correctly, I’ve been playing music since the sixth grade. I had 2 friends who played guitar and drums, so I was recruited to play bass. That’s pretty much how all bass players get started right?
I had been wanting to make a solo record for a while now. Somehow having a kid initiated a period of hyper productivity, even though i wasn’t sleeping and was always busy, i knew i had to make the most of the couple of hours a week i had in the studio. There is this sort of prolonged sort of adrenaline rush that lasts for months after you have a child, at least there was for me. I don’t think parents would make it without it.The overall theme of the album reflects on what was going on in my life at the time, the passing of time, growing older, stuff like that. But there are also some straight ahead love songs as well.
Yeah you got me there, I definitely went a little overboard on some of the tracks. When I refer to simplicity, i’m talking about 2 things. First, I’m referring to when i first started recording on a cassette based Tascam 8-track recorder, I had 2 mics and 8 tracks and that’s it. Yet those limitations somehow streamline the creative process, you commit to your decisions and that’s it, there is no undo button. And there is just something about the sound of that machine that i absolutely love. So in the recording of this album, i consciously tried to emulate the process of recording on a tape machine, and used a Shure SM57 for all my vocals. But working on a computer, it is just too easy to get carried away with tracks counts and overdubs and hyper editing. The other thing i’m referring to is the structure of the songs. A couple of the songs are just 3 chords and a bunch of verses, they don’t have choruses or bridges or anything. I got tired of playing songs with 5 parts and a dozen chord changes.
I’ve always been DIY from the very beginning. I just recently got together with the guys from my other band, Unbelievable Luck, that i’ve been with since high school, to transfer some of our old tapes to digital. We did the early stuff live off a mixing board to a tape deck. Then in college I got the Tascam 488. When I got my first apartment in Brooklyn, i had a drum set in the living room and all the recording gear in the bedroom.I had made a couple solo albums when I was in college, but not since then.
I certainly love the sound of a band playing together live in a room. But the control freak side of me likes being able to dictate every aspect of the performance by playing everything myself, obsessing over every detail. I’d say playing live is more fun, especially when playing in other people’s bands, but if i had to choose live vs. the studio, i’d pick the studio.
Bandcamp has worked out really well. They have taken the complicated out of hosting and selling music online. I am a terrible self promoter when it comes to music. As of right now the Facebook page has 26 likes. Not exactly burning down the house. I have no idea how to get exposure on my own.
I know the producer Ian Sterns from playing in bands with him. Pretty much all of the exposure the album has gotten has been through the Mike and Tom podcast. I’ve had a bunch of downloads from people finding the album through there, some people even paid for it. But i’m happy that anyone is listening at all. That is why i like the name your price model of selling music.
Small and contained has been my move for a very long time. But i try not to make a habit of predicting the future. If a label calls, i’ll answer the phone. After that, who knows. I’d love for there to be an audience for the music, but that is not necessarily the end goal. I’m just happy that I am still able to play music at all.
I can think of far better things to stick up my nose. Children should stick to pennies, they have very small nostrils, I can’t imagine they can do too much damage.
Once again, check out Flight Feathers’ album “In The Darkness of My Night” on Bandcamp.com at http://flightfeathers.bandcamp.com/